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Yang Mi: Walking a Difficult Path Again

At the Cannes Film Festival, Zhang Ziyi stole the spotlight, while Yang Mi, despite having limited screen time, enjoyed the treatment of a second lead. Yang Mi, undoubtedly a top star born in 1985, appeared somewhat overshadowed next to Zhang Ziyi.

Ultimately, Yang Mi lacks truly representative works. You might argue that “Chinese Paladin 3,” “Palace,” and “Eternal Love” are her signature works. However, it’s fair to say that these dramas’ success largely depended on their scripts.

Born in Beijing in the autumn of 1986, Yang Mi grew up in the southern alleys of the city. With a lively and mischievous personality, she spent her childhood in a bustling and happy family. Her father gave her a lot of freedom, fostering her straightforward and carefree nature.

Yang Mi did well academically, serving as class monitor for three years in elementary school, yet she was particularly mischievous, frequently getting into fights, climbing roofs and trees, and “bullying” boys by pulling their braids.

Yang Mi’s relatives are all highly educated, with several having graduated from Tsinghua University.

Yang Mi’s acting career began at the age of four when her parents sent her to a child actor training class. She was noticed by Chen Jialin, the director of the TV series “Tang Ming Huang,” and got the opportunity to play the young Princess Xianyi. Subsequently, she stumbled into the acting world, starting her career as a child star. At six, she showcased her talent in the children’s drama “Monkey Baby,” igniting her passion for acting.

Yang Mi truly rose to fame with her dual roles as the goddess Xiyao and the young lady Xu Xuejian in the 2009 TV series “Chinese Paladin 3,” attracting a large audience with her diverse characters. This success laid the foundation for her in the entertainment industry. In 2011, Yang Mi starred in the TV series “Palace,” which aired during the Spring Festival, becoming a nationwide hit and making Yang Mi an instant top star.

Riding the wave of her popularity, Yang Mi swiftly started her own company, becoming a boss and creating a strong, high-emotional intelligence persona. This helped her remain in the spotlight for a decade, a significant feat in the entertainment industry.

However, as Yang Mi starred in more low-quality films, her acting skills gradually came under scrutiny. In recent years, her appearance has started to show signs of aging, a result of past cosmetic procedures.

In the recent drama “Harbin 1944,” Yang Mi’s acting and appearance sparked controversy. She overacted, with exaggerated facial expressions. In “Fox Spirit Matchmaker,” her performance was even more problematic, appearing stiff and lifeless, with little emotional expression, lacking the vivacity and charm expected of her character.

Yang Mi’s expressions showed no discernible emotion, which could be considered a fatal flaw.

Yang Mi’s acting issues didn’t emerge overnight. Early in her career, she was slapped for failing to meet a director’s requirements, realizing then that the acting path wouldn’t be easy. However, despite her subsequent fame, Yang Mi hasn’t made significant improvements in her acting skills. She chose to maintain her status through beauty and popularity.

In recent years, Yang Mi has frequently appeared in various film and TV projects, but their quality has been inconsistent. To maintain her exposure, she took on numerous roles, even appearing in 11 projects within a year. This intense workload hindered her acting progress, disappointing her audience.

Recently, at the “Sauce Garden” red carpet event, Yang Mi’s state drew attention again. Compared to Zhang Ziyi’s confident demeanor, Yang Mi, though beautiful, lacked charisma and appeared tired. This comparison raised doubts about whether Yang Mi could maintain her former glory.

Yang Mi’s acting issues are evident not only in her performances but also in her public relations and image management. She adeptly uses social media to interact with fans and maintain her popularity, but this strategy can’t mask her professional shortcomings. Yang Mi often emphasizes her dedication to improving her acting skills, but her actions haven’t supported this claim.

Yang Mi’s friendships also seem to fluctuate. In the entertainment industry, relationships often change with career developments. Yang Mi and Liu Shishi’s relationship evolved from strangers to sisters, then cooled and rekindled over time. Her friendship with Tang Yan also changed due to work and life changes.

While Yang Mi remains a top star, her acting problems have become a career bottleneck. If she continues relying on beauty and popularity rather than improving her acting skills, her future remains uncertain. Although this path seems glamorous, it’s fraught with challenges and uncertainties.

To truly focus on honing her acting skills and enhancing her professional competence, Yang Mi might need to cut down on her frantic schedule of filming and variety shows. Otherwise, how will she find time to learn?

The future of Yang Mi’s career depends on whether she can redefine herself and maintain her influence in the entertainment industry. Regardless of the path she chooses, Yang Mi will need to put in more effort and wisdom. As she often says, there is no comfort zone.

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